Arthuriana 23.4 (Winter 2013)
IV. Iceland, Images, Ideals, and Indices
From the Editor
Dorsey Armstrong
Eminent Arthurian: Geoffrey Ashe
Norris J. Lacy
Arthurian Knights in Fourteenth-Century Iceland: Erex Saga and Ívens Saga in the World of Ormur Snorrason Bjørn Bandlien
Picturing Arthur in English History: Text and Image in the Middle English Prose Brut
Elizabeth Bryan
To the Well: Malory’s Sir Palomides on Ideals of Chivalric Reputation, Male Frienship, Romantic Love, Religious Conversion—and Loyalty
Sue Ellen Holbrook
Dating De ortu Waluuanii from Twelfth-Century Ship Design
Mildred Leake Day
REVIEWS
Arthur Bahr, Fragments and Assemblages: Forming Compilations of Medieval London
Leah Haught
Emma Campbell and Robert Mills, eds., Rethinking Medieval Translation: Ethics, Politics, Theory
Michèle Goyens
Alan J. Fletcher, The Presence of Medieval English Literature: Studies at the Interface of History, Author and Text in a Selection of Middle English Literary Landmarks
Arthur Bahr
Kathleen Forni, Chaucer’s Afterlife: Adaptations in Recent Popular Culture
Marie Schilling Grogan
Karen L. Frescon and Charles D. Wright, eds, Translating the Middle Ages
Stephanie A. Viereck Gibbs Kamath
Marie de France, The Lays, trans. Edward J. Gallagher.
Norris J. Lacy
Michael N. Salda, Arthurian Animation: A Study of Cartoon Camelots on Film and Television
Roger Simpson
Sif Rikhardsdottir, Medieval Translations and Cultural Discourse: The Movement of Texts in England, France, and Scandinavia
Matthieu Boyd
Karl Steel, How to Make a Human: Animals and Violence in the Middle Ages
Ryan R. Judkins
Carolynn Van Dyke, ed., Rethinking Chaucerian Beasts
Carl Grey Martin
Welcome to King Arthur Forever: The Matter of Britain Lives, a blog sponsored by The Alliance for the Promotion of Research on the Matter of Britain. Our mission, first laid out in 2000, is to embrace the full corpus of the Arthurian tradition and to promote study, discussion, and debate of representations of the legends in all their forms as produced from the Middle Ages through the contemporary moment (and beyond).
To me, methought, who waited with a crowd,
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."
"Morte d'Arthur" (1842)
Alfred, Lord Tennyson
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."
"Morte d'Arthur" (1842)
Alfred, Lord Tennyson
Wednesday, April 23, 2014
Arthuriana for Winter 2013
Posted by
Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
10:32 PM
Labels:
Arthuriana (journal),
New/Recent Scholarship,
Triennial Congress of the International Arthurian Society
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