To me, methought, who waited with a crowd,
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."

"Morte d'Arthur" (1842)
Alfred, Lord Tennyson

Showing posts with label Steinbeck. Show all posts
Showing posts with label Steinbeck. Show all posts

Friday, June 14, 2024

Catching Up - Arthurian Literature 35 for 2020

Arthurian Literature XXXV

Edited by Elizabeth Archibald and David F. Johnson


Full details, previews, and ordering information at https://boydellandbrewer.com/9781843845454/arthurian-literature-xxxv/


TITLE DETAILS

227 Pages

23.4 x 15.6 cm

5 b/w illus.

Series: Arthurian Literature

Series Vol. Number: 35

Imprint: D.S.Brewer

Hardcover


9781843845454

June 2020

$115.00 / £75.00 (also available as an ebook)


DESCRIPTION

The continued influence and significance of the legend of Arthur are demonstrated by the articles collected in this volume.


The rich vitality of both the Arthurian material itself and the scholarship devoted to it is manifested in this volume. It begins with an interdisciplinary study of swords belonging to Arthurian and other heroes and of the smiths who made them, assessed both in their literary contexts and in "historical" references to their existence as heroic relics. Two essays then consider the use of Arthurian material for political purposes: a discussion of Caradog's Vita Gildae throws light on the complex attitudes to Arthur of contemporaries of Geoffrey of Monmouth in a time of political turmoil in England, and an investigation into borrowings from Geoffrey's Historia in a chronicle of Anglo-Scottish relations in the time of Edward I, a well-known admirer of the Arthurian legend, argues that they would have appealed to the clerical élite. Romance motifs link the subsequent pieces: women and their friendships in Ywain and Gawain, the only known close English adaptation of a romance by Chrétien, and the mixture of sacred and secular in The Turke and Gawain, with fascinating alchemical parallels for a puzzling beheading episode. This is followed by a discussion of the views on native and foreign sources of three sixteenth-century defenders of Arthur, John Leland, John Prise and Humphrey Llwyd, and their responses to the criticisms of Polydore Vergil. In twentieth-century reception history, John Steinbeck was an ardent Arthurian enthusiast: an essay looks at the significance of his annotations to his copy of Malory as he worked on his adaptation, The Acts of King Arthur and his Noble Knights. The volume moves to even more recent territory with an exploration of the adaptations of Malory and other Arthurian writers that occur in the comic books by Geoff Johns about Arthur Curry, aka Aquaman, King of Atlantis. The book is completed by a reprint of a classic essay by Norris Lacy on the absence and presence of the Grail in Arthurian texts from the twelfth century on.


CONTENTS

Arthurian Swords I: Gawain's Sword and the Legend of Weland the Smith - Richard Barber

Rex rebellis et vir pacificus: Civil War and Ecclesiastical Peacekeeping in the Vita Gildae of Caradog of Llancarfan - Andrew Rabin

Once and Future History: Textual Borrowing in an Account of the First War of Scottish Independence - Christopher Michael Berard

'Me rewes sore': Women's Friendship, Affect and Loyalty in Ywain and Gawain - Usha Vishnuvajjala

The Sacred and the Secular: Alchemical Transformation in The Turke and Sir Gawain - Natalie Goodison

'The native place of that great Arthur': Foreignness and Nativity in Sixteenth-Century Defences of Arthur - Mary Bateman

John Steinbeck's 'Wonder-Words' - Elaine Treharne and William J. Fowler

The Once and Future King of Atlantis: The Arthurian Figure in Geoff Johns's Aquaman: Death of a King - Carl B. Sell

Arthur and/or the Grail - Norris J. Lacy



Tuesday, March 15, 2022

New Book: Arthurian Legend in the Twentieth and Twenty-first Centuries

New collection out now:

Arthurian Legend in the Twentieth and Twenty-first Centuries

Full details: https://vernonpress.com/book/1011 (plus intro and index)

Susan L. Austin (Ed.)

With contributions by Sarah Gordon (Utah State University), Carl Sell (Lock Haven University of Pennsylvania), Tracey Thomas (York University), Susan L. Austin (Landmark College), Zainah Usman (Tarrant Country College Northwest), Adrienne Major (Landmark College), Erin Mullally (Le Moyne College), Leah Hamilton (Xavier University)

Hardback $61 
Availability: In stock

also in E-book $ 75 , Paperback $ 48




SUMMARY

The King Arthur we imagine did not exist in history. He is the result of stories told and retold, changed and added to by storytellers for centuries, each making the story reflect the storyteller’s time and values.

The chapters in this book look at movies, manga, comic books, a television show, and traditional books released since 1960 to explore some of the ways King Arthur has been reimagined in the past 60 years. Interpreting Avalon High and The Kid Who Would Be King, Camelot 3000 and King Arthur vs. Dracula, Fate/Zero, John Steinbeck’s The Acts of King Arthur and His Noble Knights, the influence of Arthurian legend on Harry Potter, Terry Gilliam’s The Fisher King, John Boorman’s Excalibur, Jerry Zucker’s First Knight, Antoine Fuqua’s King Arthur, Guy Ritchie’s King Arthur: The Legend of the Sword, Matthew Vaughn’s Kingsman: The Secret Service, Iris Murdoch’s The Time of the Angels, and the BBC series Merlin, the authors find that while we are still interested in the idea of King Arthur, we may also want his story to be more racially and gender inclusive, less elitist, and in some cases, more secular.




TABLE OF CONTENTS

Introduction

Chapter 1
Kids and kings: postmodern nostalgia and youthful Arthurian cinematic retellings
Sarah Gordon
Utah State University

Chapter 2
Camelot 3000 and Dracula vs. King Arthur: The uses of limited-run comics as updates of the Arthurian legend for contemporary readers
Carl Sell
Lock Haven University of Pennsylvania

Chapter 3
The fate of Artoria: contextually exploring gender, character, and conflict in Fate/Zero
Tracey Thomas
York University

Chapter 4
Gender and class in John Steinbeck’s The Acts of King Arthur and His Noble Knights
Susan L. Austin
Landmark College

Chapter 5
A kid wizard in King Arthur’s court
Zainah Usman
Tarrant County College Northwest

Chapter 6
Chivalry and ambition in Terry Gilliam’s The Fisher King
Susan L. Austin
Landmark College

Chapter 7
Democratic dreams and the death of Arthur, king
Adrienne Major
Landmark College

Chapter 8
Killing Arthur: revising the Perceval myth in “Kingsman: The Secret Service”
Erin Mullally
Le Moyne College

Chapter 9
The death of the Fisher King in Iris Murdoch’s The Time of the Angels
Susan L. Austin
Landmark College

Chapter 10
When Arthurian heroes fall: adapting moral failure and Christian redemption in the BBC’s Merlin
Leah Hamilton
Xavier University

Index


EDITOR BIOGRAPHY


Susan Austin has worked at Landmark College, Vermont, for over a decade. There, she pursues her research interests, which include film adaptations of literature and modern and contemporary fiction. She teaches a course that uses Arthurian and related materials as sources for analysis and synthesis essays, and then sends students off to research and write about related topics in literature, history, archaeology, science, and popular culture. She holds an MA in English Literature from the University of Massachusetts at Amherst. Associate Professor Austin has presented several papers at the Northeastern Modern Language Association Conference in the last decade and she has chaired five sessions, one of which is the basis for this volume.