The website is now available for the XXVIth Congress of the International Arthurian Society. It can be accessed at http://iascongress2020.unict.it/.
The event is hosted by Catania University, Italy, and will be held on 19-25 July 2020.
Abstracts are due by 31 October 2019.
The selected Congress themes are:
Arthurian Alterities
Arthurian Iconographies
Retelling, resumption, repeating
Paratexts in Arthurian manuscripts
Places of Arthurian emotion
Medievalism
Welcome to King Arthur Forever: The Matter of Britain Lives, a blog sponsored by The Alliance for the Promotion of Research on the Matter of Britain. Our mission, first laid out in 2000, is to embrace the full corpus of the Arthurian tradition and to promote study, discussion, and debate of representations of the legends in all their forms as produced from the Middle Ages through the contemporary moment (and beyond).
To me, methought, who waited with a crowd,
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."
"Morte d'Arthur" (1842)
Alfred, Lord Tennyson
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."
"Morte d'Arthur" (1842)
Alfred, Lord Tennyson
Showing posts with label Iconography. Show all posts
Showing posts with label Iconography. Show all posts
Friday, August 30, 2019
CFP XXVIth Congress of the International Arthurian Society (10/31/19; Italy July 2020)
Posted by
The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
8:58 PM
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Labels:
Adaptation,
Alterity,
Call for Papers,
Conferences of Interest,
Emotion,
Iconography,
Manuscripts,
Medievalism,
Triennial Congress of the International Arthurian Society
Arthuriana 29.3 for Fall 2019
Arthuriana has released the contents list for its next issue posting at http://www.arthuriana.org/access/29-3Contents.html. Here are the details:
Table of Contents
(29.3)
‘No Mowth Can Speke Hit’: Silence and Inexpressibility in Sir Thomas Malory’s Morte Darthur
Alicia A. McCartney
3
How King Arthur Invented Christmas: Reimagining Arthur and Rome in Early Modern Scotland and England
Kenneth Hodges
25
Chivalric Labor, Artisanal Labor, and the Productive Strike in The Knightly Tale of Gologras and Gawain
Schuyler Eastin
43
The 2018 Loomises Lecture
The Evolving Iconography of the Tristan Legend from the Middle Ages to the Present, with Special Emphasis on the Arthurian Revival in British Art
Joan Tasker Grimbert
66
REVIEWS
Venetia Bridges, Medieval Narratives of Alexander the Great: Transnational Texts in England and France
Levilson C. Reis 105
Jo Ann Cavallo, ed., Teaching the Italian Renaissance Romance Epic
Gloria Allaire 106
Sarah Elliott Novacich, Shaping the Archive in Late Medieval England: History, Poetry, and Performance
Daniel Sawyer 109
Larissa Tracy, ed., Medieval and Early Modern Murder: Legal, Literary, and Historical Contexts
Benjamin A. Saltzman 111
William T. Whobrey, ed. and trans., The Nibelungenlied: with The Klage
Michael Resler 112
Posted by
The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
8:39 PM
No comments:
Labels:
Adaptation,
Art,
Arthurian Revival,
Arthuriana (journal),
England,
Iconography,
Knightly Tale of Gologras and Gawain,
New/Recent Scholarship,
Scotland,
Thomas Malory,
Tristan
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