To me, methought, who waited with a crowd,
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."

"Morte d'Arthur" (1842)
Alfred, Lord Tennyson

Showing posts with label Camelot (musical). Show all posts
Showing posts with label Camelot (musical). Show all posts

Monday, April 29, 2024

Notice Re-Creating Camelots at Kalamazoo 2024

Re-Creating Camelot? Community-Building in Arthurian Studies (A Roundtable) (Virtual)



59th International Congress on Medieval Studies (you must register to attend)

Western Michigan University (Kalamazoo, MI)

Virtual Session

Session 474: Saturday, 11 May 2024, from 3:30 PM - 5:00 PM


Co-Sponsored by Alliance for the Promotion of Research on the Matter of Britain and

International Arthurian Society, North American Branch (IAS/NAB)


Co-Organizers: Michael A. Torregrossa, Bristol Community College, and Joseph M. Sullivan, Univ. of Oklahoma


Presider: Carl B. Sell, Univ. of Pittsburgh 


(This session will be recorded.)

Paper 1:

“There Are One or Two Changes I'd Like You to Consider”: The Elusive Attempts to Revise Lerner and Lowe’s Camelot in Contemporary America

Jarrod DePrado, Sacred Heart University 


Pronouns: He/Him/His


Jarrod DePrado is an instructor at Sacred Heart University in the Departments of Languages & Literature and Catholic Studies. He received his graduate degree from Boston University in English and American Literature. His area of specialization is transhistorical drama—bridging Shakespeare, 20th- & 21st-Century American Drama, and musical theatre—with a focus on adaptation studies and American politics. He will begin his PhD in English at the University of Connecticut in the Fall.


Paper 2:

Tournament of "Diversity": Inclusion, Expulsion and Panic
Tirumular (Drew) Narayanan, University of Wisconsin-Madison


Pronouns: He/Him/His


Drew Narayanan is a PhD Candidate in Art History at the University of Wisconsin–Madison. His dissertation project focuses on the “Sultan of Babylon” as historical and fantastical racialized construction in 14th and 15th century Latin Christian manuscripts. He has also won a prize for his peer-reviewed article titled “Sir Palamedes the Indelibly ‘Saracen’ Knight: Heraldry, Monstrosity, and Race in Fifteenth-Century Arthurian Romance Manuscripts.”



Paper 3:

“(Re)creating Camelot:  Scholars, Networks, and the Academy”
Richard Utz, Georgia Institute of Technology


Pronouns: he, him, hine, hisse, hes, him-seluen


Richard Utz is Professor of Medievalism Studies and Interim Dean in the Ivan Allen College of Liberal Arts at Georgia Tech. His contributions to the Roundtable topic include "The Chameleon Principle: Reflections on the Status of Arthurian Studies in the Academy," Arthuriana (2007) and Medievalism: A Manifesto (2017).





Notice Creating Camelots at Kalamazoo 2024

Creating Camelot(s): The Idea of Community in Arthurian Texts (Virtual)



59th International Congress on Medieval Studies (you must register to attend)

Western Michigan University (Kalamazoo, MI)

Virtual Session

Session 425: Saturday, 11 May 2024, from 1:30 PM - 3:00 PM


Co-Sponsored by Alliance for the Promotion of Research on the Matter of Britain and

International Arthurian Society, North American Branch (IAS/NAB)


Co-Organizers: Michael A. Torregrossa, Bristol Community College, and Joseph M. Sullivan, Univ. of Oklahoma


Presider: Karen Casey Casebier, Univ. of Tennessee–Chattanooga 

(This session will be recorded.)


Paper 1:

Kissing King Arthur: The Threat of Discord in Chrétien's Erec et Enide and Hartmann's Erec

Jennifer Schmitt Carnell, Hill Museum and Manuscript Library 


Dr. Jennifer Carnell (she/her) earned her doctorate last year at the University of Minnesota in the Twin Cities. She then began working for the Hill Museum and Manuscript Library near St. Cloud, Minnesota, where she is updating their catalog of microfilms of Western medieval manuscripts housed in German libraries. Jenn’s dissertation is a close reading of the role of communal expressions of joy in medieval German literature, and today’s presentation has been developed from one of the chapters.


Paper 2:

Worship and Noyse: Chivalric Identity and the Formation of Emotional Communities in Malory's Morte Darthur

Victoria E Dikeman, Ohio State Univ. 

Victoria Dikeman (she/her) is a PhD candidate at The Ohio State University. Her research focuses on Arthurian literature. Currently, she is completing her dissertation on reputation and gossip in Thomas Malory’s Morte Darthur.


Paper 3:

The Broadway 2023 Camelot Revival: A Hollow Retelling of the Legend?

Hope E Koonin, Independent Scholar 


Hope Koonin is an independent scholar. She graduated in 2023 from UC Davis with a Bachelor of Arts in English. She is interested in the study and history of fantasy literature.