To me, methought, who waited with a crowd,
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."

"Morte d'Arthur" (1842)
Alfred, Lord Tennyson

Saturday, February 17, 2024

JIAS 2023

The latest volume of the Journal of the International Arthurian Society. Access is available for purchase from the publisher. 


Journal of the International Arthurian Society

Volume 11 Issue 1

September 2023


Publicly Available September 7, 2023

Titelseiten

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Open Access September 7, 2023

‘Que nus contes de ce n’amende’: Chrétien de Troyes and the assertion of copyright

Keith Busby, Leah Tether
Page range: 1-18
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Acheflour and Blauncheflour: Mothers and Wives in Sir Percyvell of Galles and Sir Tristrem

Aude Martin
Page range: 45-59
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Petrine Failings and Broken Pentangles: Sir Gawain and the Green Knight’s Chivalric Felix Culpa

Arielle McKee
Page range: 60-82
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Eric fighting in Guatemala. Adaptation and proximation of medieval Arthurian literature in Manuel Vázquez Montalbán’s Erec y Enide

Carlos Sanz Mingo
Page range: 83-104
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Von den nahtweiden. Mythologische Subtexte in der Crône Heinrichs von dem Türlin

Christoph Schanze
Page range: 105-128
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The Transmedial Knights of the Round Table: Character-Based Worldbuilding in the Manuscripts of Chrétien de Troyes

Caitlin G. Watt
Page range: 129-151
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Obituary

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Mary Dewey (1947–2023)

Linda Gowans, Alison Rawles
Page range: 152-153

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Gilles Eckard (1949–2022)

Alain Corbellari
Page range: 154-155

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Amanda Hopkins (1962–2022)

Emma Campbell
Page range: 156-157

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Freda Humble (1922–2022)

Sue Bennett, Linda Gowans
Page range: 158-158

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Ian Lovecy (1947–2022)

P. J. C. Field
Page range: 159-160

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Roger Simpson (1938–2022)

Alan Lupack, Barbara Tepa Lupack, Kevin J. Harty
Page range: 161-162


Notices

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XXVIIth International Arthurian Congress, Aix-en-Provence, France, 11–18 July 2024

Page range: 163-163

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Biennial JIAS Essay Prize Competition 2024–25

Page range: 164-164


Arthuriana Winter 2023

Recently released. Subscribe at the Arthuriana website, or (if you're lucky to have access) read this issue at Project MUSE. 


Arthuriana 33.4 

Table of Contents 

Guenevere’s Raptus-Sanctus Triumphs in Sir Thomas Malory’s Morte Darthur 

D. Thomas Hanks, Jr. 

Abstract:

Generally speaking, scholars of Malory's Morte Darthur have given Guenevere bad press. Terms like 'shrew' and 'virago' have been often applied, while her agency has been largely ignored or minimized. Recently, however, scholars have begun to reconsider her characterization and even her agency. Analysis of her response to Meleagant's attempted raptus, however, has been minimal; likewise minimal has been discussion of her response to Lancelot both with respect to Meleagant and to Lancelot's late and apparently marital desire. Both men become wholly subject to Guenevere's subtle but masterful agency. [DTH, Jr,]


Dramatic Spectacle in LaƷamon: The Brut’s Direct Speeches, Aestheticized Violence, and Gendered Historical Reenactments 

Johanna Alden

Abstract:

This article explores the phenomena of dramatized direct speech and public performative spectacle within LaƷamon's Brut. In examining the text's largely historically unexplored dramatic dimensions, the piece also engages with the way that speech and performance are politicized and gendered in the Brut.


ANNOUNCEMENTS


Launch of ‘The So What’: public-facing, digital publication focusing on the ‘whys’ and ‘so whats’ of medieval studies and pedagogy 


Bonnie Wheeler Fellowship


Arthuriana Shop



REVIEWS 


Heather Blurton and Dwight F. Reynolds, eds., Bestsellers and Masterpieces: The Changing Medieval Canon 

Katherine Oswald 


Andrew Breeze, The Historical Arthur and the Gawain Poet: Studies on Arthurian and Other Traditions

Richard Firth Green 


Tara Hernandez and Damon Lindelof, creators, Mrs. Davis, (eight-part miniseries)

Susan Aronstein and Laurie Finke 


Carolyne Larrington, The Norse Myths That Shape the Way We Think

Tim William Machan 


Tim William Machan, English Begins at Jamestown

Kevin J. Harty


John Matthews, The Great Book of King Arthur and His Knights of the Round Table:  A New Morte D’Arthur 

Alan Lupack 


Charlie Samuelson, Courtly and Queer: Deconstruction, Desire, and Medieval French Literature 

Megan Moore 


Eva Von Contzen and James Simpson, eds., Enlistment: Lists in Medieval and Early Modern Literature

Michael Van Dussen  


Arthuriana Fall 2023

Recently released. Subscribe at the Arthuriana website, or (if you're lucky to have access) read this issue at Project MUSE. 


Arthuriana 33.3 (Fall 2023)

Table of Contents 


Special Issue: Who Gets to Be Legendary? 

Guest edited by Margaret Sheble


Introduction: Why Can’t Mermaids Be Ethnically Diverse? Legends and Legend-Making in Arthurian Studies 

Richard Sévère 


White Merlin: A Modern Misconception about the Legendary Merlin

Tzu-Yu Liu 

Abstract:

Different from the predominantly white Merlins on both big and small screens today, Merlins in medieval legends are never described as having white skin. In fact, in various texts Merlin is specifically depicted as a dark-skinned character capable of making legendary accomplishments. The few Merlins of color onscreen have informed our understanding of Merlin as a legendary character in various ways, and more diverse representations of Merlin onscreen could help to dispel the misconception that the legendary Merlin is by default white. (TL)


‘Why is he Indian?’: Missed Opportunities for Discussing Race in David Lowery’s The Green Knight (2021)

Tirumular (Drew) Narayanan 

Abstract:

This article explores the depiction of Gawain in The Green Knight (2021). Despite having cast Dev Patel in the starring role, the film avoids any substantive discussion of race in Camelot. By trading in optical diversity alone, it deploys BIPOC bodies without ever telling their stories. (TDN)


Towards Narrative Plenitude: Asian Representation in Young Adult Arthurian Fantasy 

Pamela M. Yee 

Abstract:

This article examines how two authors of Asian descent tackle the problem of 'narrative scarcity' for marginalized writers in their Young Adult Arthurian texts: Williams' 'The Quay Stone' posits the relationship between colonizer/colonized as akin to domestic abuse, while Chupeco's A Hundred Names for Magic series integrates Eastern and Western myths. (PY)


Who is Asking?: Afro-Arthurian Legend-Making in N.K. Jemisin’s Far Sector 

D’Arcee Charington Neal 

Abstract:

Whether an Arthurian knight, a Green Lantern, or a Legendborn, one cannot have a legacy without first becoming a legend. In N.K. Jemisin's graphic novel Far Sector (2020) Sojourner 'Jo' Muellein's story as both community activist and guardian echoes, reinvents, and reimagines Arthurian romances through the lens of Afrofuturism; further, this fantastical remix challenges white supremacist modes of oppressive comic tradition by foregrounding racial and gendered identities. Making a legend is not about whom society has agreed to be the answer. Instead, such ideals lie with whoever asks the question. (DCN)


REVIEWS 


Victoria Coldham-Fussell, Miriam Edlich-Muth, and Renée Ward, eds., The Arthurian World

Dan Nastali 


Louise D’Arcens and Andrew Lynch, eds., International Medievalism and Popular Culture 

Kevin J. Harty 


Patrick Del Luca, Chevalerie et royauté dans le roman d’Erec de Hartmann van Aue 

Ann Mccullough 


Megan Moore, The Erotics of Grief: Emotions and the Construction of Privilege in the Medieval Mediterranean 

Charles-Louis Morand-Métiver