Arthuriana 23.3 (Fall 2013)
III. Grails, Innocents, and Apocalypses
Verse and Prose in the Continuations of Chrétien de Troyes’ Conte du Graal
Massimiliano Gaggero
The Communication of Culture: Speech and the ‘Grail’ Procession in Historia Peredur vab Efrawc
A. Joseph McMullen
Jessie Weston and the Green Knight
Daniel Nastali
King Arthur and His Knights for Edwardian Children
Velma Bourgeois Richmond
Envisioning the End: History and Consciousness in Medieval English
Arthurian Romance
Jon Whitman
REVIEWS
Susan Aronstein, An Introduction to British Arthurian Narrative
Siân Echard
Paul Battles, ed., Sir Gawain and the Green Knight
Michael W. Twomey
Lawrence Besserman, Biblical Paradigms in Medieval English Literature:
From Cædmon to Malory
Mary Davy Behrman
John M. Bowers, An Introduction to the Gawain Poet
Ad Putter
Nigel Bryant, trans., Perceforest: The Prehistory of King Arthur’s Britain
Karen Casebier
Neil Cartlidge, ed., Heroes and Anti-Heroes in Medieval Romance
Raluca l. Radulescu
C. Stephen Jaeger, ed., Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music
Tara Williams
Catherine Nall, Reading and War in Fifteenth-Century England: From Lydgate to Malory
Thomas H. Crofts
John A. Pitcher, Chaucer’s Feminine Subjects: Figures of Desire in the
Canterbury Tales
Giselle Gos
Seiji Shinkawa, Unhistorical Gender Assignment in La3amon’s Brut: A Case Study of a Late Stage in the Development of Grammatical Gender toward its Ultimate Loss
Mary Niepokuj ]
J.R.R. Tolkien, The Fall of Arthur
Shaun F.D. Hughes
Christopher A. Synder
Welcome to King Arthur Forever: The Matter of Britain Lives, a blog sponsored by The Alliance for the Promotion of Research on the Matter of Britain. Our mission, first laid out in 2000, is to embrace the full corpus of the Arthurian tradition and to promote study, discussion, and debate of representations of the legends in all their forms as produced from the Middle Ages through the contemporary moment (and beyond).
To me, methought, who waited with a crowd,
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."
"Morte d'Arthur" (1842)
Alfred, Lord Tennyson
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."
"Morte d'Arthur" (1842)
Alfred, Lord Tennyson
Wednesday, April 23, 2014
Arthuriana 23.3 for Fall 2013
Posted by
Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
10:22 PM
Labels:
Arthuriana (journal),
Grail,
New/Recent Scholarship,
Sir Gawain and the Green Knight,
Triennial Congress of the International Arthurian Society
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