Arthuriana 22.2 (Summer 2012) is now available:
Famous in Song and Story Arthurian Legends in Heather Dale's Music
Ann F. Howey
T.H. White, The Once and Future King, and the Scientific Method
Jake La Jeunesse
Castles and the Architecture of Gender in Malory's 'Knight of the Cart'
Molly Martin
Geoffrey's 'Very Old Book' and Penda of Mercia
Edwin Pace
Lost in the Woods: Grey Areas in Malory and the Stanzaic Morte Arthure
Samantha Rayner
An Archaic Tale-Type Determinant of Chrétien's Fisher King and Grail
William Sayers
REVIEWS
Siân Echard, The Arthur of Medieval Latin Literature: The Development and Dissemination of the Arthurian Legend in Medieval Latin
William Sayers
Joseph Glaser, trans., with Christine Chism, Sir Gawain and the Green Knight
Derek Pearsall
William Kuskin, Symbolic Caxton: Literary Culture and Print Capitalism
Paul J. Patterson
Arthur Phillips, The Tragedy of Arthur
Claire M. Busse
Rhiannon Purdie and Michael Cichon, eds., Medieval Romance, Medieval Contexts
Nicole Clifton
Gaêlle Zussa, Merlin, un myth médiéval recyclé dans la production culturelle contemporaine
Stephen Knight
Welcome to King Arthur Forever: The Matter of Britain Lives, a blog sponsored by The Alliance for the Promotion of Research on the Matter of Britain. Our mission, first laid out in 2000, is to embrace the full corpus of the Arthurian tradition and to promote study, discussion, and debate of representations of the legends in all their forms as produced from the Middle Ages through the contemporary moment (and beyond).
To me, methought, who waited with a crowd,
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."
"Morte d'Arthur" (1842)
Alfred, Lord Tennyson
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."
"Morte d'Arthur" (1842)
Alfred, Lord Tennyson
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