Catching up:
Arthuriana, Volume 30, Number 4
Winter 2020
Source: http://www.arthuriana.org/access/30-4Contents.html.
Table of Contents
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‘I rebel against the story. I am sure the half of it was never told us’: Elizabeth Stuart Phelps’ ‘The True Story of Guenever’ and Nineteenth-Century Women in the Literary Marketplace |
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| Virginia Blanton and Jennifer Phegley | 3 | |
| The Hero and Severed Heads: Moral Display in the Prose Lancelot | ||
David S. King |
26 | |
| Colgrevaunce’s Supposed Shame in Ywain and Gawain | ||
| Ryan Naughton | 41 |
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| Malory’s ‘Fyne Force’: Motion in Le Morte Darthur | ||
| Thomas Schneider | 56 |
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| REVIEWS | ||
| Valerie Hansen, The Year 1000: When Explorers Connected the World—and Globalization Began | ||
| Jonathan Good | 70 | |
| Carissa M. Harris, Obscene Pedagogies: Transgressive Talk and Sexual Eduation in Late Medieval Britain | ||
| Amanda Joan Wetmore | 73 | |
| Kevin J. Harty, ed., Medieval Women on Film: Essays on Gender, Cinema and History | ||
| Susan Aronstein | 74 | |
| Joachim Heinzle, Wolfram von Eschenbach: Dichter der ritterlichen Welt | ||
| Judith Benz | 76 | |
| Stephen Rayne, dir., Xcalibur, The Musical | ||
| Kevin J. Harty | 78 | |
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