The latest number of Arthuriana has been released. It is a special issue devoted to celebrating the work of Kevin J. Harty.
Subscribers may access the contents at the journal website or through Project MUSE.
Table of Contents
(29.2)
Preface
Alan Lupack and Barbara Tepa Lupack 3
‘Who are the Britons?’ Questions of Ethnic and National Identity in Arthurian Films
Christopher A. Snyder 6
Queer as Folk
Donald L. Hoffman 24
Tristan in Film
Joan Tasker Grimbert 47
A Connecticut Yankee at the Movies
Barbara Tepa Lupack 64
Romancing the Cold War: America’s Atomic Narrative Gets Medieval
Susan Aronstein 86
From Kids as Galahad to Kid Galahad
Alan Lupack 102
REVIEWS
Glen Burger, Conduct Becoming: Good Wives and Husbands in the Later Middle Ages
Nicole Sidhu 115
Michael Calabrese, An Introduction to Piers Plowman
Rosemary O’Neill 117
Joe Cornish, dir., The Kid Who Would Be King
Alan Lupack 119
David Mackenzie, dir., Outlaw King
Andrew B.R. Elliott 121
Karen Sullivan, The Danger of Romance: Truth, Fantasy, and Arthurian Fictions
Laine E. Doggett 122
James Wan, dir., Aquaman
Susan Aronstein and Taran Drummond 124
Welcome to King Arthur Forever: The Matter of Britain Lives, a blog sponsored by The Alliance for the Promotion of Research on the Matter of Britain. Our mission, first laid out in 2000, is to embrace the full corpus of the Arthurian tradition and to promote study, discussion, and debate of representations of the legends in all their forms as produced from the Middle Ages through the contemporary moment (and beyond).
To me, methought, who waited with a crowd,
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."
"Morte d'Arthur" (1842)
Alfred, Lord Tennyson
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."
"Morte d'Arthur" (1842)
Alfred, Lord Tennyson
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