I seem to have missed an issue here, but the latest number of Arthuriana is now available. Contents for Vol. 27, No. 4 follow. Abstracts and previews can be found at Project MUSE at https://muse.jhu.edu/issue/37763. Sadly, access is limited to journal subscribers or those with Project MUSE credentials.
(27.4)
http://arthuriana.org/access/27-4Contents.html
Restless Arthur: Medieval Romance Still on the Move in Popular Media
Elizabeth Ferszt and Nathaniel Bump 3
Sacramental Unity for a Saracen: Malory’s Conflicted Knight Palomides
Christine Sheridan Pyle 22
‘It Is Mainly Just That They Are Irish’: T. H. White’s Commentary on Twentieth Century Anglo-Irish Tensions in The Once and Future King
Emerson Storm Fillman Richards 39
Closure and Caxton’s Malory
Charles Wuest 60
REVIEWS
Dorothy Gilbert, trans. and ed, Marie de France: Poetry
Simonetta Cochis 79
Richard Firth Green, Elf Queens and Holy Friars: Fairy Beliefs and the Medieval Church
Melissa Ridley Elmes 80
Andrew James Johnston, Ethan Knapp, and Margitta Rouse, eds., The Art of Vision: Ekphrasis in Medieval Literature and Culture
Anne Laskaya 82
Kathleen Coyne Kelly and Tison Pugh, eds., Chaucer on Screen: Absence, Presence, and Adapting the Canterbury Tales
Peter W. Travis 85
Robin Melrose, Religion in Britain from the Megaliths to Arthur: An Archaeological and Mythological Exploration
Kenneth L. Campbell 87
Myra Seaman and Eileen A. Joy, eds., Fragments for a History of a Vanishing Humanism
Randy P. Schiff 89
Welcome to King Arthur Forever: The Matter of Britain Lives, a blog sponsored by The Alliance for the Promotion of Research on the Matter of Britain. Our mission, first laid out in 2000, is to embrace the full corpus of the Arthurian tradition and to promote study, discussion, and debate of representations of the legends in all their forms as produced from the Middle Ages through the contemporary moment (and beyond).
To me, methought, who waited with a crowd,
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."
"Morte d'Arthur" (1842)
Alfred, Lord Tennyson
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."
"Morte d'Arthur" (1842)
Alfred, Lord Tennyson
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