I seem to have missed posting this earlier in the year (the journal is available in print and online to subscribers only):
Arthuriana 21.1
Table of Contents
Special Issue on Renaissance Arthurian Literature and C. S. Lewis
Guest edited by Ty Buckman and Charles Ross
An Arthurian Omaggio to Michael Murrin and James Nohrnberg
Ty Buckman and Charles Ross 3
Spenser and the Search for Asian Silk
Michael Murrin 7
The Mythical Method in Song, Saga, Prose and Verse: Part One
James C. Nohrnberg 20
'Arthurian Torsos' and Professor Nohrnberg's Unrepeatable Experiment
Ty Buckman 39
Arthuriana and the Limits of C. S. Lewis' Ariosto Marginalia
Charles Ross 46
Merlin, Magic, and the Meta-fantastic: The Matter of That Hideous Strength 66
Thomas L. Martin
Corcodiles and Crusades: Egypt in Boiardo's Orlando Innamorato and Ariosto's Orlando Furioso 85
Jo Ann Cavallo
Delay the War but Not the Sex: Boiardo on Action and Time 97
Brady J. Spangenberg
REVIEWS
Karen Cherewatuk and K. S. Whetter, eds., The Arthurian Way of Death: The English Tradition
Keith Busby 110
Elizabeth Archibald and Ad Putter, eds, The Cambridge Companion to the Arthurian Legend
Alex Mueller 111
Curt Columbus, dir. 'Lerner & Loewe's Camelot'
Kevin J. Harty 113
Rosalind Field, Phillipa Hardman and Michelle Sweeney, eds., Christianity and Romance in Medieval England
Thomas H. Crofts 114
Helen Fulton, ed., A Companion to Arthurian Literature
Jane H. M. Taylor 116
Welcome to King Arthur Forever: The Matter of Britain Lives, a blog sponsored by The Alliance for the Promotion of Research on the Matter of Britain. Our mission, first laid out in 2000, is to embrace the full corpus of the Arthurian tradition and to promote study, discussion, and debate of representations of the legends in all their forms as produced from the Middle Ages through the contemporary moment (and beyond).
To me, methought, who waited with a crowd,
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."
"Morte d'Arthur" (1842)
Alfred, Lord Tennyson
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."
"Morte d'Arthur" (1842)
Alfred, Lord Tennyson
Wednesday, July 27, 2011
Arthuriana 21.1
Posted by
Blog Editor, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
5:53 PM
Labels:
New/Recent Scholarship
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment