To me, methought, who waited with a crowd,
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."

"Morte d'Arthur" (1842)
Alfred, Lord Tennyson

Wednesday, September 14, 2022

Last Call CFP: Revisiting a Racialized Camelot: Lesser Known "Knights of Color" and Addressing Lacunas in Our Approaches (A Round Table) (proposals by 9/15/2022)

Call for Papers ICMS 2023

Revisiting a Racialized Camelot: Lesser Known "Knights of Color" and Addressing Lacunas in Our Approaches (A Round Table).


Sponsored by: International Arthurian Society, North American Branch (IAS/NAB)

Co-Sponsoring Organization(s): Monsters: The Experimental Association for the Research of Cryptozoology through Scholarly Theory and Practical Application (MEARCSTAPA)

Keywords: Arthur, Arthurian, Camelot, knights, race and racialized, monstrosity.



This session contributes to ongoing discussions about "Race in the Middle Ages," focusing on minor "Knights of Color" in Arthuriana and how their characterizations might nuance scholarly perspectives of the racial dynamics at Camelot. We emphasize that the expected categories for determining race such as skin color, physiognomy, costume and, at times, religion remain insufficient and inconsistent when dealing critically with premodern race. Thus, the modifier of "Color" here should be understood to cover a variety of polities and geographical locations and not just epidermal difference. While a great deal has been written about Palamedes, Morien, and Feirefiz, we seek to forefront lesser-known, non-Latin Christian knights, including those with “monstrous” origins, present in Arthurian narratives. Additionally, given that the majority of medieval critical race frameworks come out of literary studies, this session seeks to create a crucial opportunity for other fields such as art history, performance studies, and philology, as well as more "global” approaches, to provide new lenses for understanding a racialized Camelot.

This session is especially interested in: the borders between race & monstrosity in Arthuriana, methodological lacunas in approaches to Camelot material, Arthurian enemies, the relationship between "Knights of Color" in Arthuriana and such knights in different traditions that appear in the same manuscripts, philological studies about the "garbled" names of “Knights of Color,” their linguistic origins, the presence of Arthurian narratives in non-Latin Christian contexts, teaching experiences around “Race in Arthuriana” and the roles “Knights of Color” play in medievalism when imagining a post-racial Camelot without having a post-racial present.

Please send an abstract (300 words maximum) to the ICMS Confex site https://icms.confex.com/icms/2023/cfp.cgi & Drew Narayanan at tnarayanan@wisc.edu by September 15th. The session will consist of 6 ten-minute papers followed by questions. The session will be In-Person at the International Conference on Medieval Studies, Kalamazoo 2023.





Friday, September 9, 2022

CFP Accessing Avalon Today: Best Practices for Connecting Contemporary Readers to Arthurian Texts Online (9/15/2022; Kalamazoom 2023)

Call for Papers for Virtual Session of the 58th International Congress on Medieval Studies to be in a hybrid format Thursday, 11 May, through Saturday, 13 May 2023

Accessing Avalon Today: Best Practices for Connecting Contemporary Readers to Arthurian Texts Online


Sponsored by the Alliance for the Promotion of Research on the Matter of Britain

Contact: Michael A Torregrossa

Modality: Virtual

The Matter of Britain is a living tradition with new texts produced each year in a variety of media and genres. The vastness, vitality, and adaptability of the corpus, from medieval to modern, allow for an incredibly rich potential for scholarship and teaching. However, the availability and cost of many items greatly restrict what can actually be accessed by us and our students. In this session, we’d like to start a conversation related to the digital humanities about Arthurian works that are open-access materials or open-educational resources and how they can best be used in the classroom and research.

Please submit paper proposal into the Congress’s Confex system accessible at the Call for Papers page for the event (at https://wmich.edu/medievalcongress/call). Scroll down to select “Make a Proposal,” and, once on that page, select our session under the list of “Sponsored and Special Sessions of Papers”.

Submission must be made no later than 15 September 2022.

More information about the Alliance for the Promotion of Research on the Matter of Britain can be found at our blog at https://kingarthurforever.blogspot.com/.

Tuesday, September 6, 2022

CFP Sponsored Sessions Kalamazoom 2023 (deadline for proposals 9/15/2022)

 Sorry for being so late sharing this.


Please submit a proposal into Confex (from this link) , if you're interested in presenting. 

Alliance for the Promotion of Research on the Matter of Britain

Accessing Avalon Today: Best Practices for Connecting Contemporary Readers to Arthurian Texts Online

Contact: Michael A Torregrossa
Modality: Virtual
The Matter of Britain is a living tradition with new texts produced each year in a variety of media and genres. The vastness, vitality, and adaptability of the corpus, from medieval to modern, allow for an incredibly rich potential for scholarship and teaching. However, the availability and cost of many items greatly restrict what can actually be accessed by ourselves and our students. In this session, we’d like to start a conversation related to the digital humanities about Arthurian works that are open-access materials or open-educational resources and how they can best be used in the classroom and research.


Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture

Medieval Women from the Middle Ages to Modern Mass Medievalisms

Contact: Michael A. Torregrossa
Modality: Virtual
Popular culture offers both positive and negative representations of medieval women in medievalist and medievalesque works from Arthuriana and depictions of Joan of Arc and Hildegard von Bingen to Disney’s Princesses, films like The Lord of the Rings, Snow White and the Huntress and The Duel, and streaming series like House of the Dragon and Rings of Power. There has been an increasing focus on these figures in both the popular press and academic discourse; however, much work remains to be done to more fully assess how these texts adapt, adopt, and/or appropriate medieval characters and tropes.


Michael

--
Michael A. Torregrossa (he/his/him), M.A.

*Founder, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture:https://medievalinpopularculture.blogspot.com/

*Founder, The Alliance for the Promotion of Research on the Matter of Britain: https://kingarthurforever.blogspot.com/