To me, methought, who waited with a crowd,
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."

"Morte d'Arthur" (1842)
Alfred, Lord Tennyson

Friday, February 26, 2021

CFP Arthurian Medievalism (Spec Issue of Journal of the International Arthurian Society; 11/30/21)

Cross-posted:

Call for Papers: Special Issue of the Journal of the International Arthurian Society on Arthurian Medievalism


The Journal of the International Arthurian Society (JIAS) welcomes submissions for a special issue (2022, volume 10) on Arthurian medievalism, or post-medieval adaptations, re- imaginings and recreations of medieval Arthurian texts, artefacts and spaces (real or imagined). The guest editors seek especially interdisciplinary and co-disciplinary explorations of how Arthurian myth makes meaning in a range of media, including (but not limited to) literary texts, television, film, games, visual arts, architecture, commodity culture, experiential medievalism, the heritage sector and geographical spaces.

Submissions from all categories of scholars, including postgraduate students, early career researchers and independent scholars are welcome, as are submissions from non-members of the Society.

Submissions must be between 7,000 and 10,000 words (inclusive of footnotes) and must follow the guidelines for submission for JIAS, which follow the MHRA style guide. Submissions (essay, short bio and abstract) should be sent electronically to the guest editors of the special issue, Dr Renée Ward (rward@lincoln.ac.uk) and Dr Andrew Elliott (aelliott@lincoln.ac.uk), no later than 30 November 2021.

Monday, February 15, 2021

Arthuriana Special Issue for Fall 2020

Here are the contents for the Fall 2020 number of Arthuriana. It presents a special issue, edited by Leah Haught and Leila K. Norako, on the theme of "Assembling Arthur".

As usual, the articles can be accessed by subscribers on the journal website (at http://www.arthuriana.org/access/30-3Contents.html) and to researchers on Project MUSE. 

  

Introduction: Assembling Arthur 
Leah Haught and Leila K. Norako 3




Studies in Medieval Stargazing  

Sarah M. Anderson

8

 

 
Beginning and Ending with Arthur: Reading Arthurian Romance ‘Compilationally’ in Two Fifteenth-Century Manuscripts  
Rebecca Pope

50


 

 
The Paratexts of 15–17th Century Editions of the Morte Darthur Informed by Compilational Design  
David Eugene Clark

68


 

 
Assembling the Fragments in Sir Thomas Malory’s Morte Darthur  
D. Thomas Hanks, Jr.

101


 

 
REVIEWS  
 
Christopher Michael Berard, Arthurianism in Early Plantagent England from Henry II to Edward I  
Matthew Giancarlo 122


 
Susanna Fein, ed., Interpreting MS Digby 86: A Trilingual Book from Thirteenth-Century Worcestershire
Daron Burrows 124


 
Nerys Anne Jones, Arthur in Early Welsh Poetry  
Kevin R. Kritsch 126


 
Ann Marie Rasmussen, Rivalrous Masculinities: New Directions in Medieval Gender Studies  
Emily Houlik-Ritchie 128


 
Adrian P. Tudor, The Knight and the Barrel (Le Chevalier au Barisel)  
Linda Marie Rouillard 130


 

Monday, February 1, 2021

Guest Post: Mediavilla on The Camelot Rising Trilogy, Books 1 and 2

 

White, Kiersten. The Guinevere Deception.  Delacorte Press, 2019. The Camelot Rising Trilogy 1. 339 pages. Hardcover: $18.99, ISBN: 9780525581673. Paperback: $10.99, ISBN: 9780525581703.

 

 - - -. The Camelot Betrayal. Delacorte Press, 2020. The Camelot Rising Trilogy 2. 370 pages. Hardcover: $18.99, ISBN: 9780525581710. 

 

Guinevere is 16 years old when she marries Arthur, two years her senior. Though they have never met, the king welcomes her with open arms while the people of Camelot look on and cheer. Still, nothing is as it seems. As soon becomes apparent, theirs is merely a marriage of convenience arranged by Arthur’s mentor, Merlin, who was banished from Camelot many years before. Instead of a “real wife,” Guinevere, who has magical powers of her own, was sent by Merlin to protect the king from his enemies. Instead of saving Arthur, however, Guinevere is, more often than not, the one needing rescue as she foolishly follows her misguided impulses into danger in hopes of foiling threats against the king. Coming to her aid is usually Arthur’s older nephew Mordred, an enigmatic character for whom the queen finds herself having inexplicable feelings.
 
In a recent online bookstore event, bestselling author Kiersten White proclaimed that, because every Arthurian writer adds his or her own spin to the legend, there no longer is an Arthurian “canon.” Indeed, she herself takes every opportunity to shatter tradition by introducing unexpected plot elements. The Tristan-Isolde-Mark love triangle, for instance, is depicted here as a secret romance between Isolde and her handmaid Brangien. Likewise, Lancelot, the queen’s knight, is eventually revealed to be a woman, who may or may not be in love with Guinevere. As for Arthur, before marrying the queen, he had a short-lived affair with Elaine, the sister of Maleagant, who kidnaps Guinevere to avenge Elaine’s death during childbirth. The names may be the same, but White obviously takes pleasure in adding her own special twist to an age-old saga.
 
Although both books are written in third-person, all action is seen and interpreted (often wrongly) through Guinevere’s naïve eyes. One might think the point here is to view the usually male-dominated story through a strong feminist lens. But with Arthur constantly gone, managing the business of Camelot, Guinevere is mostly left to her own ill-conceived devices that usually lead to trouble. Instead of an intelligent, masterful heroine, the reader is left with a young, inexperienced queen who listens to her heart more than she does common sense—resulting, not surprisingly, in yet another abduction at the end of the second book, setting the scene for the trilogy’s third volume, The Excalibur Curse, due to be published in 2021.
 
Lots of unanswered questions one hopes will be resolved by the end of book #3: Who exactly is Guinevere? Is Merlin good or evil? Which side is Mordred on? And will Arthur and the queen finally consummate their marriage? Recommended for young adults who are unfamiliar with the traditional Arthurian story.
 
 
Cindy Mediavilla
 
Cindy Mediavilla is a retired public librarian who has collected, read and written about Arthurian fiction for more than 40 years. Her publications include Arthurian Fiction: An Annotated Bibliography (Scarecrow Press, 1999), "From 'Unthinking Stereotype' to Fearless Antagonist: The Evolution of Morgan le Fay on Television" (Arthuriana 25:1), and an article on Arthurian romance in Encyclopedia of Romance Fiction (2018). Cindy's MLS and PhD are from UCLA, where she also taught as a lecturer for 16 years.