INTRODUCTION
‘But rather I wolde sey: here in thys worlde he chaunged hys lyff ’: Malorian and Scholarly Retraction
Karen Cherewatuk and Meg Roland
Retraction and the Making of Arthurian Texts
Michael W. Twomey
Malory’s Lancelot: Not ‘Either/Or’ but ‘Both/And’
Karen Cherewatuk
‘But that was but favour of makers’: Retractions, Editions, and Authorship in Malory’s Le Morte Darthur
Meg Roland
Malory’s Political Views: My Final Retraction
Edward Donald Kennedy
Memory and Losing One’s Head in Malory’s Morte Darthur
Catherine Batt
Mordred’s Lost Childhood
Elizabeth Archibald
Memories of War: Retracting the Interpretive Tradition of the Alliterative Morte Arthure
Fiona Tolhurst and K.S. Whetter
Malory’s Death Poem
Thomas H. Crofts
*Winner of the ‘Fair Unknown’ Award*
‘And there she lete make herself a nunne’: Guinevere’s Afterlife as a Nun in British Culture of the Mid-Nineteenth to Early Twentieth Century
Ellie Crookes
The Round Table: News from the IAS-NAB
REVIEWS
Laura Chuhan Campbell, The Medieval Merlin Tradition in France and Italy: Prophecy, Paradox, and Translatio
Florence Marsal
Katherine Barnes Echols, King Arthur and Robin Hood on the Radio: Adaptations for American Listeners
Dan Nastali
Joshua Byron Smith, Walter Map and the Matter of Britain
Elizabeth M. Willingham
Leah Tether, Publishing the Grail in Medieval and Renaissance France
Leona Archer
Raymond H. Thompson, The Swan Maiden
Norris J. Lacy
