To me, methought, who waited with a crowd,
There came a bark that, blowing forward, bore
King Arthur, like a modern gentleman
Of stateliest port; and all the people cried,
"Arthur is come again: he cannot die."

"Morte d'Arthur" (1842)
Alfred, Lord Tennyson

Wednesday, April 23, 2014

Arthuriana 23.3 for Fall 2013

Arthuriana 23.3 (Fall 2013)

III. Grails, Innocents, and Apocalypses

Verse and Prose in the Continuations of Chrétien de Troyes’ Conte du Graal
Massimiliano Gaggero

The Communication of Culture: Speech and the ‘Grail’ Procession in Historia Peredur vab Efrawc
A. Joseph McMullen

Jessie Weston and the Green Knight
Daniel Nastali

King Arthur and His Knights for Edwardian Children
Velma Bourgeois Richmond

Envisioning the End: History and Consciousness in Medieval English
Arthurian Romance
Jon Whitman
 
 
REVIEWS
 
Susan Aronstein, An Introduction to British Arthurian Narrative
Siân Echard
 
Paul Battles, ed., Sir Gawain and the Green Knight
Michael W. Twomey
 
Lawrence Besserman, Biblical Paradigms in Medieval English Literature:
From Cædmon to Malory
Mary Davy Behrman
 
John M. Bowers, An Introduction to the Gawain Poet
Ad Putter
 
Nigel Bryant, trans., Perceforest: The Prehistory of King Arthur’s Britain
Karen Casebier
 
Neil Cartlidge, ed., Heroes and Anti-Heroes in Medieval Romance
Raluca l. Radulescu

C. Stephen Jaeger, ed., Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music
Tara Williams
 
Catherine Nall, Reading and War in Fifteenth-Century England: From Lydgate to Malory
Thomas H. Crofts
 
John A. Pitcher, Chaucer’s Feminine Subjects: Figures of Desire in the
Canterbury Tales
Giselle Gos

Seiji Shinkawa, Unhistorical Gender Assignment in La3amon’s Brut: A Case Study of a Late Stage in the Development of Grammatical Gender toward its Ultimate Loss
Mary Niepokuj ]
 
J.R.R. Tolkien, The Fall of Arthur
Shaun F.D. Hughes
Christopher A. Synder


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